The tramps were Chauncey Holt, Charles Harrelson and Charles Rogers.
They were NOT Sturgis, Hunt and Carswell.
They were NOT Gedney, Doyle and Abrams either. Their story was that they were arrested immediately after the assassination. Within minutes after the shooting.
Holt’s story was that they were discovered and apprehended from the boxcar at least 1,5 hours AFTER the assassination.
If you look at the tramps photos below, you can see that the crowds have dissappeared, and that the shadows have moved from a southern angle to a southwestern diagonal. This means that Holt was right. At least 1.5 hours have passed.
Compare the shadows with the moment of the assassination. The Elsie Dorman film shows the shadows almost parallel with Houston street in a south-north direction. On the tramp photos they have turned almost 45 degrees and they have grown much longer, indicating an advance in time of some two hours. The CIA and their disinformation servants can lie all they want against the shadows and laws of the solar system.
Transcript of a slide presentation by Lois Gibson.
Lois Gibson works for the Houston Police Department and is probably the most respected forensic artist and facial expert in the world. She has just been awarded with a notation in the Guinness Book of World Records for the highest crime solving rate based on composite sketches.
Below you can watch her presentation:
The day of this photograph is november 22nd, 1963. John Fitzgerald Kennedy has just been shot in Dealey Plaza, and there are three men who are being arrested by Dallas Police officers. They have been termed to be “the three tramps”. There is an old one in the back on the left and in the center you see the taller blond-headed one and on the right is the dark-headed .. uuh, I don’t want to call them tramps because they are so nicely dressed. I want you to notice the woman behind, she is crying and she has her hand on her face. And look at the expression of the tramp in the middle… He is smiling.
Here is another one of those pictures. One of the seven pictures taken by three different photographers … and what’s kind of strange if you are in law enforcement, is that the police officers are way far away from these men that they are walking to the police department. Just kind of strange and they are holding their rifles loosely, sort of an incorrect method for arresting people.
There is a close-up of the blond tramp and behind him is the older-looking tramp with the police officers as they progress towards the police department.
Another view of the same three men. So we know these same three men are in all these pictures. They are not different individuals. They are three men being arrested that day.
Let’s look at the blond-headed tramp, who for some reason is smiling right after the president of the United States has been shot.
And if you look at Charles Harrelson on the right, from one of his arrest mug-shots, you can see that every single feature is consistent with the blond-headed tramp. Now, it’s not available to me to be able to stop and go back in time and take a ruler and hold it next to the tramp’s face, and then take a ruler and hold it next to Charles Harrelson after he is arrested. So I can’t tell you an exact scale. But if you put them to approximately the same size, you can tell that this is just … either is positively this individual or is an exact look-a-like. One particular important thing is that if you look at the side burn … he almost has no sideburn, Harrelson, he just cannot grow a sideburn. And the hair is cut right at … almost the top fifth of the ear. And if you look at the tramp, it’s the same haircut.
Now, some individuals have asymmetrical faces. Usually you assume that the eyes are in parallel plane with the mouth.
Like in this illustration. There is just a parallel line that goes through your features and your eyes are usually … a human being’s eyes are parallel to the mouth.
But often – you may not notice this, even with people you know – but often that plane is not parallel, it’s slightly tilted.
Like this. So if you run a line through the corners of the eyes and throogh the crease between the lips, they would converse, it’s an angle, it’s not parallel.
